When you get to put pen to paper, that moment when you start writing, you are in a phase of trance or sort, as though you are just experiencing an emotional trauma at hand of a paper back, holding your pen at the end of your fingers like a scalpel, you are giving birth in silence to an idea that your mind got pregnant of, and that you were always carrying on through your whole life. That project that I was inspired longtime ago, by my father’s own life experiences, it was when in a moment of un-empowerment, he was standing up in front of me, that day he declared to me, in an instant he was at the summit of his pain, then like a boxing hero putting his gloves down completely denuded from his courage, and in his struggling to mask his suffering; he shed then a tear, like it was a speck, from his tear duct, and said to me: ” if only I know how to write, I would fill a thousand books, if I could recount my torments to the mute, he muttered without a stammer, and if I tell my pain to ear of the river, it will flood to the ocean …”
“I Write Because…”:
Because, he gave me the chance to go to school, the first time it was to the Medersa of the small dwellings, in the out-skirts of Algiers, where I was living, in the time of the French colonies, because he never went to school, because in the times of this cholera, when you reach fourteen years old your were sent to Shepard of herd of sheep, because , second time, when and just after we got the Independence from France, he paid for me to go to school, because I was fourteen years old, and too old for the age of middle-school, and having enough Knowledge for the upper-classes; but because I was fourteen, I was considered as a man then, and I was at an age to be capable to understand my Man, so he felt he could tell me something that he never declared intimately to anyone else.
Life would be a secret; I felt like a pact that is sealed between us, a promise that I could concrete one day, when I will be ready to accomplish his vow. That moment when it came, I felt like an uneasily Procrustean…
While doing so, I felt an uneasily procrustean : Here and there limbs of the manuscript needed to be stretched, and elsewhere a protruding foot might be lopped off, if all the episodes were to be edited into a single, coherent, continuous work.
John Callahan, “Afterword: A Note to Scholars,” Juneteenth, by Ralph Ellison, 1999
Frist, I was goofing around, like anyone else in New York, with Daily Post Prompts, and all of nowhere, years after putting my feet on the ground, the (planchet-des-vaches), or the plank of cows, translated: I was a flight attendant then, goofing around the world, here and there, and all of a sudden, now I started gushing up right here, with this blog.
And_”It all started, more or less, something like this… “_Kurt Vonnegut
To be continued …if you like to read more, care to come back to my place a little Dickens, or a Mark Twin’s?
Sometimes, you may say to yourself, “I think I over do, now,” by using the same terms over and over, people get tired of the blah, at the end _ yadayada, I know, but trying to grab some audiences, it’s hard for a blogger, everyone knows that, and everyone looks for it. Not that I need it. There are some causes, ideals, Aristotelianism, are lost in advance, I knew it the moment I started blogging. It’s not a self-flagellation either, but it was an awareness of the moment; the disappearance of a species, but the welfare of a bird, it’s the least concern today.
That is, when you feel like you have exhausted, when all the possible and imaginary means, using the Prompts of the day, quotes, poetry from poets, and writers… You’re about to throw the towel. Then, sometimes, by just listening to a song, like the one ” Drift Away” from Rod Stewart. Then, you have the declic, it puts you back on tracks
Day after day, I’m more confused
Yet I look for the light through the pourin’ rain
You know that’s a game that I hate to loose
And I’m feelin’ the strain, ain’t it a shame
Oh, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away
Oh, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away
Beginnin’ to think that I’m wastin’ time
I don’t understand the things I do
The world outside looks so unkind
Now I’m countin’ on you to carry me through*
Yet, this is it, You get then, a feeling, that you want to fling to the world, your plea,
_”Give me the beats boys, and free my soul,I wanna get lost in your conversation, and lost in translation, and drift away.”
_”Give me the courage to persevere writing, blogging, and posting, for a noble cause to save an endangered bird from disappearing.”
Because it has been five years in the making of Mackneen, The Algerian Goldfinch blog, that I’m blogging and posting, posts after posts, through the Internet, and WordPress, to make my call inviting people to join my conversation, to get the bird, tha Goldfinch, namely, free from the cage, from all the cages around the world.
Because, when you write, it’s your voice that you hear, your silent monologue settles inside your mind, you want to shout it out load what you have in your gusts, and you want to get out the hell of it those itching words that are elbowing against each other’s, who to come first to the open, to put it down to paper, at the view of the common reader, and accepting be critiqued, for you audacity, and daring to compose and post such non-sense. Like this one, such as.
It’s insane, I know, but I am not the only one, there is a lot of celebrities out there, they went, like Don Quixote De La Pampa, battling against the windmills, but more than a daydream, they make it their cause, like the French Actress Brigitte Bardot, defending the seals against their abusive massacre, and many more others, Ushuaia, We discover each day that million of species are almost disappearing from the surface of the earth.
So, I learned more, thence in my quest of sources to support my cause than, I expected, in my own beliefs, that the cause has the merits to be consistent, and true, that is not being a utopia, a euphoric chimera of the mind. When you know that the name Goldfinch is deeply anchored in the sub-conscience of the people through the ages, be it religious beliefs, like in Christian literatures or propane rites and customs and not merely folks traditions, by only checking into Wikipedia.
when you know that John Kavanagh, Keats, Dona and the list is long , to cite just few, had the privilege to be the predecessors in evoking the goldfinch in their poems, and proses, in their essays and masterpiece, than I believe that it worth borne identity of El Mackneen, the Algerian Goldfinch, even it was futile and elusive matter of blogging about.
When you get to know that a writer has a Noble Price, like Dona Tart, a novel that has a name of the goldfinch, it’s no shame to kvel well up. So, although it was just a dream at it début , yet it has been already five years that I blog under the name of Macknee, The Algerian Goldfinch, may be one day, it comes to light.
It’s time to free my mind, and uncage my imagination.
_knowledge is limited, imagination encircles the world, Einstein
It’s not the cage that encircles the idea. It’s the mind, free your mind, and let is soar above the common beliefs.
In #RememberanceDayforLostSpecies I dedicated this blog, some 5 years, in an attempt to bring to attention of readers in Algeria in particular, where the Algerian Goldfinch is endangered.
I launched an SOS , like a message in a bottle into the sea:
Save the Algerian goldfinch!
When you write, who is watching you?
It’s true, that for a poet, he has his own muse, Erato, a musician his own muse it’s Melpomene, but Calliope, the muse for a writer, she never shows up when he needs her the most, she is whimsical at times. So we are always fascinated, in our quest, by the blanc of a page, waiting for the moment when inspiration strikes, and we forget to look around, to things that we treasures for the longest, they are witnesses of our moments in life, or some we lost, that is_
“Somewhere, those poor things must still be knocking about”__Constantine Cavafy
It has been in the traditions of to many countries, and their cultures as well , for the longest as we can go back in to the past, in the history of literature, in humanities, we find that people has an intimated affection for the goldfinch, in particular, either through the religious interpretation of icons, in Arts, like in Christianity, referring to biblical scriptures, or for the profane, in the folklore, and artisanal arts and crafts, in poetry, and in writing prose.
I had a photo of a pet, a Bird, The Goldfinch, that I took while I was in Algiers, I framed it and put it on top of a corner of the TV furniture, just facing me, on the spot, usually where I use to sit to write. It had a sad look, it seemed like, it wanted to tell me something, like bagging me, for a plea, each time I look at it.
I couldn’t bring a caged bird with me, on board the airplane, 5 years ago, when I returned home because, simply it’s insane, for, imagine having a cage bird inside the cabine, or put in the belly of the plane with the luggage, for 10 to 14 hours, it’ll be dead at the arrival. Secondo, not only its prohibited and a protected species, but with all hustle of authorised documents, and vaccines, and with the flu bird, forget it. I resigned one’s mind and gave the bird as a souvenir from me to cousin, then.
So I gave up after that on the breeding thing. And the very idea to have a pet bird.
I get inspired by two WordPress prompts, “Witness, and Last Call! commenting Boot camp.”
Here, with the same post below, that I posted 4 years ago, it was my fist blog, the story is:
It all started, more or less, like this_
Dear readers, يا اللاحبا ب ، و ىا لولاد ,
Chers amis , l'heure est grave, time is running out,
El_Mackeen, The Goldfinch, the Elegant Chardoneret Parva est en voie de disparition,
the bird is endangered, and in its way of disappearance, do you know that?
Dear friends in Algeria , let's do it, let's make it happens!
Let's make the first day of spring un event, let it be the day of El Mackneen
At first glance, five years ago, it’s looked like gibberish, for anyone who has stumbled upon my blog, accidentally, or in purpose, he got there by chance, looking for some kind of, a matter of inspiration, he might said, “what is this!”, and passed on in a click, to the next blog. Continue reading Save the Algerian goldfinch!
“a dying language regressing
to your origin regressing
to the rib whittling yourself
down to a single bone to be
allowed another chance”
“Eden, nobody will be screaming
to harvest you in the new
Eden there will be birds
but no mirrors or dew
to reflect you back like a star
and force you to stare into
your own furred face and cry
there you are
_An excerpt of a poem by Isabelle Doyle, a former student at Emma Willard School.
And sill here I am.
_The Cry of birds_Grew from the ramage of birds to the hurry of wind_Hugh McCrae
Here I am, for the nonce
Here I am in a cage
My cry grew from the ramage
Of birds, To the hurry of winds
Shall I ever have a chance
To fly, fly, again, and drift away
Finally Home, I’ll cry and I’ll say
That’s, the one and only once
I need yes in deed, to be free
Thence, all I need is my wings
to spread in spree
Here I am, and always be
You put me one day in a cage
Can’t you see me today that I age?
Can’t you see me that I am bleeding?
Can’t you see me that I am weeping?
Like a violin bow, on its hair string
T’was the first day of Spring
That day going my way straight to my fate
That I used to be free before t’was too late
Then I was nattering in my joy and glee
With No motive for my killing spree
Spending my joy from tree to tree
Having no foe, nor a prey I was to be
Safe that a carol of joy betrayed me
I was caught In a dream-catcher net
It was a gloomy day, that’s Ô! My fate
Mother Nature comes to me, ready set for rejoice
Full of fun, laughing of plenty to hear my voice
For, You don’t know why I sing, ah! me
It was the first day of Spring, for me
It’s only but a prayer, from the bottom of my heart I sing
but a plea I wish you hear me, that upward to Heaven I fling
That one day you may let me free, before it was too late
No more I can fly, nor my wings I can spread
It’s only Poetry, a lady
she knows toward me, she said
I know why The Caged Birds Sing
I know why The Caged Birds sing, ah me,
when his wing is bruised and his bosom sore
when he hit the bars, and would be free;
it is not a carol of joy or glee,
But a prayer that he sends from his hearth's deep core,
but a plea, that upward to Heaven he flings
I know why the caged bird sings_Maya Angelou
Let It Be
When I find myself in times of trouble
Mother Mary comes to me
Speaking words of wisdom, let it be.
And in my hour of darkness
She is standing right in front of me
Speaking words of wisdom, let it be. Let it be, let it be. Whisper words of wisdom, let it be.
That’s my carol of joy and glee
Now that’s here I am, and free
_Homage to El Baji,an Algerian singer and songwriter of Algiers of Old, Kalimelo
Chocolate, it can be said, is not merely a candy, but a powerful love potion whose reputation for inspiring amative feelings is universally known. – Anahad O’Connor, Never Shower in a Thunderstorm, 2007
Oh! My Sweet Nothin’
Will you be My Vatentine_
Now I am more amative to say
you see, that is I love you everyday
Today a lot more than yesterday
And a little less than tomorrow
I brought you my heart of chocolate
It’s bittersweet usually, I know
it’s not merely a candy also
But today it’s a lit’le silky smooth
Ain’t nothing about to blow a tout
Don’t treat it in shaft
I came right to your door
with a dozen of roses and flowers
A bottle of champagne and more
Say “yes”to me, if It’s not too late
Tonight I am talking out
You see, je t’aime encore
Conchita’s, with her lightweight silhouette, like a feather sustained in the air; her image it’s still as vivid in my mind as a burnt cigar left on my skin; it was an image of a Flamenco woman dancer, printed on the cover of a pack of my first fine cigars that I used to smok when I was a teen of fifteen years old, that I recall sometimes when I see the scar on the back of my hand. Her depart was such sweet sorrow of not equall that I a smashed the fine cigar on my hind. I feel the pain in my skin. It was like the first time when you fall in love with a girl ; for the first time you kissed her, you’re in wonders, you laugh then you cry just after, then you want to be together forever ; as for the first time like when you smoke your first cigarette, you cough, and with your eye-watering, you discover then that’s, what cigars and women, alike, they had something in common, that they make you suffer at first, then you get the habits of it to live with them, and with time, that when you get comfortable in their company, then suddenly, and as always it happens, that dolorous moment came when departing is such sweet sorrow; that is, at our expenses, thence we realize that is, women, we can’t live with them, and we can’t live without them.
But then we can quite smoking, oftentimes, but we can’t forget our first love all a one’s life time.
“Quatorze-ans, Les Gauloises Ça fait mal a l’aise.”
_*At Fourteen years-old, and cigs just make you sick, “Gauloises,”_French black tabaco cigarettes
“And I forget just why I taste yeah, I guess it makes me smile
I found it hard; it’s hard to find
Oh well, whatever, never mind”
_Nirvana – Smells Like Teen Spirit Lyrics
She was a ballet-dancer, and I, a Fine-Arts student in Paris, years later on, then I was looking for a model, wondering in La Butte-Mont-Marthre. I discovered her, Degas, and his pastels, that so delicate, and volatile, as she was, elegant and whimsical, that I spent hours watching her performing pirouettes, pas-de-deux, and grand-equarts, so wide open, for, your eyes stayed opened that you can hung your Bêret, or “…your hat_ Mark Twain”, and holding your breath and your heart still pending to her movements, I stayed sitting there watching her, in a corner of the dancing room, a piece of charcoal in one hand, and a cigarette “Gitannes”, at the end of my finger tips, as the smoke-filled the air, and her laughers resounding in the hall; I was trying to fix that moment on paper, and drawing thousands of thumbnail figures as she moved, in vain. That’s I sketched on, and on, on drawings sheets, listening to Charles Aznavour_” La Boehme,” once alone, when back to my tiny studio, later on.
Sometimes, I found myself staring into a blank sheet, as she moved, like in a day – dream, à- contrejour or standing in the loggia, looking vaguely into the rain falling on the tilded roofs of Mont-Martre.
She has something in the way she moves, that Je-Ne-Sais-Quoi, I loved the way she walked, I loved the way she talked, so peculiar to Parisiennes women , that captivates, and charms you : she was a gifted performer woman, with all graces and allure, walking, and dancing , steeps skipping, and skills, tip-toeing on her ballerina shoes, a virtuosity that enthralled her audiences, sometimes to put or hold you in slavery, when she talks, and laugh, you get sustained and hooked to her lips like being hypnotized by an Indian fakir, to fall at the charm of his flûte.
And we had fallen in love with each other, effortlessly, get accustomed and as usually it happens, it happened with me, comme d’ habitude . We broke up with each other, querelles d’amour sometimes, few months later, for some reason or without, perhaps for having been too much in love of each other’s that we burned our candel too fast, from both sides . Perhaps, I was asking too much, I wanted her for myself, all by my own, I was jealous, for she hadn’t time for me, just a little, the time for a pose, and the fact that she uniquely reserved her time, and for Art all devoted and only. Go figure
Somewhere, those poor old things still must be knocking about.__Constantine Cavafy
I had a tiny studio on La Butte-Montmartre, then, we were all time hungry, and broke, surviving on œufs-aux-plats, d’Amour et d’eau fraîche, and I, more waiting for her, and in a want, till, one day she never came. Tired, I went to Spain–Flamenco, wacthing Bulls-fighting, Frederico Garcia Lorca, Manitas-De-Platas, buried my chagrin d’amour in Cervejas, to conjure the spell on me. I surrendered to some réconfort in reading “The Sun Also Rises “, the book of Hemingway, in a way. Then from there, to Barcelona, with Maria Rodriguez, the Fado lamenting sodade, that it revived in me the open wound, reminding me that ” Somewhere, those poor old things still must be knocking about.” And only have dear and cognate in Porto wines on the Taj, transported by a bitter-sweet sorrow, but in fact it was her, a dream that I pursued than, that It was a fascination by the quest.
Sometimes, the object of the quest is as elusive love-object, as in André Breton’s surrealist novel Nadja, in which the mysterious woman persued by the narrator is, in a way, that embodies the mysteries of Paris itself, instead, I found myself flâneur in the streets of Paris, without.
It is said that the Taj Mahal, was was built by an India prince Mogul of old times, in memory of the loss of his beloved princess, and wife. He ordered from the best architect in town to design the palace where the princess will be buried , knowing that the artist was in love with a woman, he put her in prison until she died, the time it took him to build the palace, the artist was in such a sorrowful state of mind so inconsolable that he put all his passion to finish it before she died, unfortunately, that both the prince and the artist found themselves in the same state, contemplating the most beautiful object that embodies love with, with an incommensurable pain in their hearts.
“There is a smell on you later, left as laughers and silences settled, and something in the air of subtle perfume and rare tabaco, that lingers longer in the house and on things, after she departed”_Kalimelo
The other day, at a corner of street, in Soho, a vanishing scent of musk, perfume, and tabaco that stayed in the air, au passage of mysterious stranger woman, transported me to Paris, to the clime of lilacs trees, balconies and wisterias of Montmartre; it has been longtime that I quitted smoking, the Quartiers-Latins, and its bistros,in Paris and moved to New York. They say, you rediscovered the subtleties of the olfactory senses, smells, perfumes, as you had lost your odorant sense while you were smoking, they say, but what do they know about lost love? Getting Sentimental
Othello , Shakespeare _”Depart is such sweet sorrow,” perchance, you discovered that but when it’s too late.
Ice cream is Proustian. One bite can send you time-traveling decades back, to a hot summer day, when you walked barefoot on shell-dappled Gulf sands, vanilla ice cream dripping over the sides of a cone and onto your fingers. Maybe it was a reward for the first time you lost a tooth, a sweet, cold dish of mint chocolate chip as balm for the pain. A bite of blackberry gelato might conjure up a stroll down a sunny Roman street with a long-lost love._Mimi Swartz
Then, I felt “natsukashii”, at the sight of the image of a glass of ice-cream before my eyes, I entered and ordered one, a bite, suddenly, euphorically nostalgic, triggered by experiencing something Tout-Aussi, common, and simply be delighted by such encounter with a rare trove at vitrine of a parlor Ice Cream, passing Whashington Square, a twist made in to the usual home-to-work itinerary, an escape on the account of everyday’s banalities. How soothing a scoop of ice cream, can be, first.
First, a word we say it to make a point, adieu! a kiss-and-go, departing, an unleashed hand and a step to a bus.Then after that or before that, there was the first cry, the first word we pronounced, the first step we walked, the first tooth, and so on; those small things of life we don’t totally or vaguely remember, that are part of souvenirs, of a parent, a freind, or something dear to use. Because we are the first child, and because our memory can’t keep; we were too small. Then, some decades later, the first thing that came to mind, the Bar-Mitzvah, or the circumcision, tonsils, a wounded knee, a cut in the palm, a first shave with bleeding cuts to the face, the fist date and a long-lost love. Things we treasure. Both nostalgic souvenirs, longtime forgotten, but the last, one of lasting memories, that still pursuits its wake with such sweet sorrow that you can’ but once grieve.
Rocky-road ice cream? God bless the broken roads. A cracked pecan better ice cream in my mouth and longway awaiting from home.
I was told by editors that my weird auto-didactic style and reference points…basically my lack of a college or journalistic education meant the quirks in my writing hadn’t been bred out of me when I went on to be a full-time writer. I was told that again and again until I was like, oh, perhaps that’s my calling card: I’m a little bit rough around the edges. I do not have this critical framework … I did not come in with anything more than a high school education and an absolute devotion to music and a very sincere desire to give everyone my opinion about everything at all times.
– Jessica Hopper, Jessica Hopper is the author of The First Collection of Criticism by a Living Female Rock Critic, editor of The Pitchfork Review and a legend in her own right.
“A little bit Rough on the edges.” It’s so true, and that’s what I got as comments, sometimes, on my posts. After reading the passage above, it felt like living your own proper experience of broken roads, and the one not taken put aside, like the broken English that not been bred out of you, all the books that you read about writing and editing, reviews and all the rejects, and by putting, time and again, the work on the loom. I still have that very sincere desire to give everyone my opinion about everything at all times. And having the same devotion to music that never faded. And still waiting for that calling…
So, if you like my adoxography*, dare you come back for another Janis Joplin, or may be Joan Didion, by the way,
in respose to The Daily Post’s prompt above: what to tell her, him or them…
I enjoy your blog, thank you for swinging by and dropping a like on my blog
No worries, for the quicks of your writing, just cross them pass on, and go forward
Enjoy your day, and write,write, write even in a dialog that you have right now with your cat, in old English Sheakspeare language, if you can, who cares? Of being flawless and weird, we are all at that, more or less,
as log as he purrs, it’s alright: he showed it to you it’s liked; and it is your first admirer that all that counts.
By the way: invent your own dictionary, just for fun, and it’s ok, it’s not a chutzpah
“Ain’t such an easy thing. To make a dream comes true, nowadays. So then if I have a hummer, after that, I did it, I can still stay a dreamer, you may say that, but I am not the only one…” I said to my muse
“Imagine All the people…Poets, and_ you know, The Beatles
“Imagine all the people…
You may say I am a dreamer,
but I am not the only one.
I hope someday, you will join us”_ John Lennon
If I have a hammer
I would be a carpenter,
I’ll build a boat,
A dream of a kid, a once I got
If I have a hammer
I would be a sailor,
and I would be an Art-painter
Then I’ll say, lo! and pray,Oh! Lord!
I have pain in my heart to soothe
I would have astrolabe,
sextant and compasses
I’ll trace my route
On maps, as hour passes
So, then I’ll throw off the bowlines, and go at sea,
and see people, and things I would never see
If I staid I would take root
But here I am, and where I stood
If I have a hammer
I would be a skipper,
I got urgent desire,
a heart on dire,
to see the seven seas_
“Les Îles Marquises, le ciel est bleu la mer est grise.
Then, I would reconcile my heart
with that old dream of mine,
that I had once ago when I was a kid of nine.
That is, it would be it, a state-of-mind, and art?
Then there, I'll stand with sheer delight
with a glass of wine in my hand
Then I can sing Brel, and draw like Gauguin
With Peace in mind, And I'll dance all night
I'll sit on the shore, at a bonfire light
That is all about; A stirring Conversation, a Tête-à-Tête, à tue-téte, with my muse, le cœur en fête, the joy at heart…if I have a million dollars…
She left,The door open,The heart ajar,
In me with that sorrow,
You feel like no tomorrow,
Touched in the now
Left in the morrow.
She walked afar
Down the street
She loved to say in laughers
To me so often
You’re too sweet
To be forgotten,
Don’t be sad,
we were in affair
Depart is such sweet sorrow
How do you know
What I’ve gotten
Did you try lovin’?
Now that you come back to me heart-broken
Don’t hit your pale forehead, but your heart
Falling in love, it was the token
Never love again, you said:I swear
Now suffer in silence without tears
Oh! Such brave heart That thouarth
But In such sorrow I were
Now, taste of that melancholy jar
O such bittersweet wrath that you can’t bear
With That lonely, but lasts in your palate Yesterday…